Hail up!

Peace and love and all that stuff...I is a StrangeRasta and these are my musings
Showing posts with label barbadian. Show all posts
Showing posts with label barbadian. Show all posts

Thursday, 12 March 2015

#InTheBrightestRed


#InTheBrightestRed (For Pompasette Magazine) Monday November 24th, 2014, a grand jury does not indict police officer, Darren Wilson, in the shooting death of 18 year old Michael Brown in August 2014. The decision, unsurprising to many, stirred the emotions of people across the US, and the international community, sparking protests and even riots. Barbadians took to social media, as did the world, to follow the situation and voice opinion on it. #JusticeforMikeBrown and #Ferguson were popular hashtags on my timeline and newsfeed that night. Last year, Skittles, iced tea, hoodies and blacked out profile photos signified solidarity with Trayvon Martin. Sadly though, I cannot recall this level of solidarity with, or outcry for, I’Akobi Maloney, or indeed anyone that may have suffered similar injustices in Barbados.
Why is there this disparity in responses? Why are we so vocal and active, online at least, about the tragedies and injustices in America, but so muted – indifferent even – to local injustices that are similar?

To begin, it is always easier to judge the faults of others and avoid your own. The bigger the fault, the more we judge. The more we expect from the party at fault, the more intensely we react. The USA has painted itself as the defender of freedom and democracy in the world. The President of the United States is often referred to as “The Leader of the Free World”, so terrible events like Mike Brown occurring on their soil create an opening for foreign critics, giving license to cast a self-righteous side-eye in their direction. However, to turn that critical eye inward is not an easy nor desirable task. The required introspection makes us uncomfortable and admitting that we too can be host to great injustices is a confession that we may not be quite ready to make. #sipstea

I’Akobi’s case did not experience the same level of media attention as the Trayvon Martin or Michael Brown cases did. This is not to say that it was not covered by the local media, it was, but we live in a time when the lion’s share of media consumption by Barbadians, especially by the social media generation, is American. Trayvon and Michael received coverage on CNN, MSNBC, FOX, ABC, Comedy Central, in The Huffington Post, The Washington Post, The New York Times, and a host of other television, radio, print and online media outlets, all of which have huge social media presences and followings. How does this affect Barbadian sentiment and response? The listed media outlets are constant and consistent with their output. They take, or create, trending topics and have hours of time dedicated to them specifically. Interviews with experts and officials, family members and friends, animated charts and graphs; these things and more come with this “American media package.” The result of this bombardment is that issues are always in your face, you become increasingly engaged, meaning, more tweets, more statuses, ie. a greater response. I’Akobi did not have the benefit of this. By contrast, I’Akobi was covered by the two local print newspapers, the one television station’s news hour, and a few popular local blogs.
They went beyond viral, I’Akobi did not.

Spoken word artist, Adrian Green, in a piece titled “Too Small” notes that the size of Barbados, and the intimate nature of Bajan life is a factor in the differences in reactions to the Trayvon and I’Akobi incidents. It is a valid observation. I did not know I’Akobi personally, but I know his brother, and many people that were close to him. I was awoken by a phone call from a friend, on the night he died, who was so distraught that she could not speak clearly. On the flip, I know police officers, and I know people that know officers involved in the incident. The intimacy and connectedness of small societies can be very intimidating for people, and this can inhibit even the most passive forms of protest against perceived injustices. We feel less afraid of personal repercussions when engaging international topics, but are much more self-aware and self-censoring when approaching local topics. Within the confines of 166 square miles there is the very real chance of actually coming face to face with the person(s) that you are protesting against, and that is an uneasy thought for most of us.

Finally, being a population of mostly black people, able to identify with the racial history and dynamic of the US, it is easy to identify with Mike and Trayvon because #itcouldhavebeenme. For this same reason it is a bit harder for most to identify with I’Akobi. There is no clear racial element to make I’Akobi’s cause “trendy.” Consider this though, just as most white Americans will be unable to understand what it is like to be #livingwhileblack in America, most Barbadians will not understand what it is like to be a Rasta living in Barbados; draw your parallels.

*As written for, and submitted to Pompasette Magazine.


Click
here for the trailer to the documentary,  "The I'Akobi Conspiracy: From a Mother's Perspective"


Thursday, 5 May 2011

Help Temple Yard and the Rastafari Community


 

SPECIAL POST. TEMPLE YARD FIRE RELIEF FUND.
Next regular post coming this weekend. Look out for it.


Almost a month ago, on Saturday 9th of April 2011, the Rastafari business community known as Temple Yard was affected by a fire. This fire destroyed 10 shops, but had and continues to have an effect on the entire community, both from a business point of view and also from a personal/emotional level. 

Some of the nation's treasures, in the forms of sculptures and other art works, have been damaged and lost in this blaze. There will be donation boxes and sponsor sheets in the public circle from next week so keep an eye out for them. I ask that we try to make donations to this community which is not just a part of Rastafari life, but Barbadian life as well.

Temple Yard has had a trying past, from the days at Rockers Alley through all the re-locations to its current location at the edge of Bridgetown. This fire is just another chapter in this history, with help from the general public Temple Yard can overcome this latest setback and get back on track.

I give thanks in the early for any help given to Temple Yard in this time.



For more information keep checking Our Afrikan Heritage Magazine on their Facebook page, or on their website.
Ras ILive can be contacted at 232-1222

Sunday, 17 April 2011

You waan soun like me...

Can you hear me now? Good!

Once more we are back on music, and this time exploring non-indigenous genres in the local music industry. Local here of course refers to Barbados, but can easily apply to any music industry anywhere.

By now it should be no secret to anyone,living in Barbados, that Barbados has musical acts practising and representing a plethora of musical genres. From the internationally known soca acts like Krosfyah, Allison Hinds and Lil Rick to the amazing rock alternative stylings of Kite, Barbados goes hard. Standing Penance, Psilos, Threads of Scarlet, The Highgrade Band, The Fully Loaded Band, Nexcyx, Teff, Cover Drive, Daveny Ellis, Sunrok, Rhy Minister, Dundeal, Billy Kincaid(where you at son?) Red Star Lion, LRG, Ayana John, Betty Rose, and this list could and would go on. This list represents rock, reggae, r&b, pop, hip hop, indie and more, and is 100% Bajan. Anyone remember DJ Carlos and his Friday night techno-dance-trance sessions on Mix 96.9FM?

Click on any of the selected artists below to check out their websites, facebook pages or myspace pages:
Standing Penance        Psilos             Cover Drive       
Buggy - Just a Man      Ayana John     Kite
Teff                            Nexcyx           Red Star Lion
AzMan ( I suggest taking a listen to Dreams)

I claim this list as 100% Bajan and I stand by it, but they are some who would beg to differ, and for valid reasons, very valid reasons in fact. The arguments cited, in opposition of the 100% Bajan tag vary. There is the argument that Barbadians should stick to Bajan music and not get caught up in trying to do other peoples things, amd by other peoples things they usually mean pop, rap and hip hop, rock/alternative and reggae. The persons presenting this argument would prefer for Bajans to stick to soca and revitalise spouge, and stop all the banja. There is of course the slight issue in that soca is no more bajan than hip hop is, and a lot of people either do not know this, forgot this, or would love to pretend that it is. "Yuh hear lie, dat is lie." This argument is perpetuated by some narrow minded, but not ill-intentioned, people, who are gladly starting to fade from existance thanks mainly to the signing of a few young Bajans (Livvi Franc, Vita Chambers, Hal Linton, Shontelle and of course RiRi) to international labels, none practising any "indigenous" genres.
This next argument holds ground on this, its supporters and agitators have nothing against a diverse musical industry and in fact welcome the diversity, their peeve is that the artists are imitating the international and regional artists from which ever country their selected genre is from. Simplified, the rappers are rapping and phrasing like Americans, and rockers are singing like Americans, the reggae artists are chanting and singing and phrasing and speaking like Jamaicans, the Calypsonians and Soca artists are "phrasing like Trini".
This argument claims that the Barbadian self image, or perception of self, is in crisis since its artist are choosing to imitate, not emulate, the image and voices of others and not highlight their own, or create one that is uniquely and distinctly Bajan.  It is a fairly valid point, and no doubt a serious one, no nation should let its national self image be weak enough to be erased by external influences, but is it really that bad, is the Barbadian self image so malleable? I'm not convinced, at least not from a musical stand point, that it is. If as a musician I lean towards rock, and choose that rock is the genre I wish to perform, then I would naturally seek to emulate other rock artist, especially the ones that I like and that influence me. It should come as no surprise to anyone that listens to me perform that I would have a similar sound to my influences, even in my original pieces. So when I go and listen to Adrian Green perform, I do not say, this is 75% Bajan, because I can hear the influence of Heru in him, neither do I ask whether Billy Kincaid has dual American/Bajan citizenship because he uses Bajan metaphors and analogies with some traces of an American accent and phrasing when rapping. Sunrok is hot in either dialect or the American flow, and 100% Bajan in both.

"Because when man luv ah ooman and ah ooman luv ah man ah jah jah bless eet" said the white Italian Rasta, and no one cares. Who remembers Snow from the 90's, the skinny white Canadian reggae artist, who on the radio sounded just like the skinny black boys from Kingston.

The genres these artists love and perform are not Bajan in origin, and while I can agree that some Barbadian influences coming through in the music would be nice (and it does happen, hell of a lot too) we really should not be disappointed when they sound like people from the respective lands of origin of whatever genre they perform, it is only natural. Listen to the junglist selections coming out of England, ever heard Mighty Crown or Black Chiney in a clash? Simon Pipe sounds like a Bay Area kid? So what? If these walls could talk they would tell you hush and just listen to the music.

These Bajan artist are some of the proudest Bajans we have, and they rep the country to the fullest when the chance arises. One of the guys from Kite had a customised guitar painted like the Barbados flag, unfortunately it was stolen. RiRi always has a trident somewhere in her videos. Buggy and the Fully Loaded Band always remixing songs and incorporating Barbadian things in their covers, "take a look down Baxters Road, do you see anything to smile bout?", "I got a hundred weight of collie weed coming from St. John..", and they had this crazy crazy spouge rendition of Culture's "A Song to Make the Whole World Sing" ..the engineer would tell you I love that version bad bad bad. The Highgrade Band started to incorporate some Bajan familiarities into their cover sets too. Do you know what I do when I hear Nexcyx perform? The same thing I do when Taio Cruz comes on, I get On The Floor and throw my hands in the air sometimes, it just feels a lot better when its to Nexcyx.
We have spouge(dead as it is) and Fling, and I hope that if fling ever gets regional and international followers that when I am overseas I can hear some Americans phrasing in Bajan and flinging it down like Azman. They will be no less American, just like The Bajan musicians are no less Bajan; Real Ting!